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Prima's Official Strategy Guide
Steve Honeywell
Prima Games
A Division of Random House, Inc.
3000 Lava Ridge Court
Roseville, CA 95661
(800) 733-3000
www.primagames.com
The Prima Games logo is a registered trademark of Random House, Inc., registered in the United States and other countries.
Primagames.com is a registered trademark of Random House, Inc., registered in the United States. Prima Games is a division of
Random House, Inc.
©
2002-2004 Twentieth Century Fox Film Corporation. All rights reserved. No part of this book may be reproduced or trans-
mitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or
retrieval system without written permission from Twentieth Century Fox Film Corporation.
Associate Product Manager: Christy L. Curtis
Project Editor: Michelle Trujillo
Editorial Assistant: Matt Sumpter
©
2002 Twentieth Century Fox Film Corporation. All rights reserved. Fox Interactive, No One Lives Forever and their respective logos are
trademarks of Twentieth Century Fox Film Corporation. A Spy In H.A.R.M.s Way is a trademark of Monolith Productions, Inc.
All products and characters mentioned in this book are trademarks of their respective companies.
Please be advised that the ESRB rating icons, "EC", "K-A", "E", "T", "M", "AO" and "RP" are copyrighted works and certification marks owned
by the Entertainment Digital Software Association and the Entertainment Software Rating Board and may only be used with their permission
and authority. Under no circumstances may the rating icons be self-applied or used in connection with any product that has not been rated by the
ESRB. For information regarding whether a product has been rated by the ESRB, please call the ESRB at 1-800-771-3772 or visit www.esrb.org.
For information regarding licensing issues, please call the ESA at (212) 223-8936. Please note that ESRB ratings only apply to the content of the
game itself and does NOT apply to the content of this book.
Important:
Prima Games has made every effort to determine that the information contained in this book is accurate. However, the publisher makes no
warranty, either expressed or implied, as to the accuracy, effectiveness, or completeness of the material in this book; nor does the publisher assume
liability for damages, either incidental or consequential, that may result from using the information in this book. The publisher cannot provide
information regarding game play, hints and strategies, or problems with hardware or software. Questions should be directed to the support
numbers provided by the game and device manufacturers in their documentation. Some game tricks require precise timing and may require
repeated attempts before the desired result is achieved.
Acknowledgments
Prima Games wishes to thank Lindsey Fischer, Aaron Blean, and Francis Choi at Fox Interactive.
ISBN: 0-7615-4084-9
Library of Congress Catalog Card Number: 2002112365
contents
Introduction . . . . . . . . . . . . . . . . . . . . . 2
Background Information . . . . . . . . . . . . . . . . . . 2
How to Use This Book . . . . . . . . . . . . . . . . . . . 3
Dossier . . . . . . . . . . . . . . . . . . . . . . . . . . 5
The Protagonists . . . . . . . . . . . . . . . . . . . . . . . . 5
Cate Archer . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Bruno Lawrie. . . . . . . . . . . . . . . . . . . . . . . . . . . 6
General Morgan Hawkins . . . . . . . . . . . . . . . . 6
Isaac Barnes . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Dr. Otto Schenker . . . . . . . . . . . . . . . . . . . . . . . 7
Magnus Armstrong . . . . . . . . . . . . . . . . . . . . . . 7
Kamal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
The Villains . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
The Director . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Dmitrij Volkov . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Isako . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Anoop Banerjee . . . . . . . . . . . . . . . . . . . . . . . . . 9
Pierre, the Mime King . . . . . . . . . . . . . . . . . . . 9
Other Enemies. . . . . . . . . . . . . . . . . . . . . . . . . . 9
Ninjas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Soviet Soldiers . . . . . . . . . . . . . . . . . . . . . . . . . 10
H.A.R.M. Thugs . . . . . . . . . . . . . . . . . . . . . . . 10
H.A.R.M. Scientists . . . . . . . . . . . . . . . . . . . . 10
Evil Alliance Goons . . . . . . . . . . . . . . . . . . . . . 11
Mimes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Calcutta Police. . . . . . . . . . . . . . . . . . . . . . . . . . 11
H.A.R.M. Bots. . . . . . . . . . . . . . . . . . . . . . . . . 12
Super Soldiers
. . . . . . . . . . . . . . . . . . . . . . . 12
Tools of the Trade . . . . . . . . . . . . . . . 13
We a pons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Melee Weapons. . . . . . . . . . . . . . . . . . . . . . . . . 13
Thrown Weapons . . . . . . . . . . . . . . . . . . . . . . . 14
Small Arms . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Long Arms . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Explosive Devices . . . . . . . . . . . . . . . . . . . . . . . 18
Explosives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Ammunition . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Gadgets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Health and Armor . . . . . . . . . . . . . . . . . . . . . . 27
Spy Tactics. . . . . . . . . . . . . . . . . . . . . . 28
Combat Basics . . . . . . . . . . . . . . . . . . . . . . . . . 28
Aim High . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
Aim Lower . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Burst Fire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Reloading
. . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Stealth Basics . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Crouching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Walking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Hiding . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Listening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Quiet Weapons. . . . . . . . . . . . . . . . . . . . . . . . . 35
Moving Bodies . . . . . . . . . . . . . . . . . . . . . . . . . 36
Other Spy Tactics . . . . . . . . . . . . . . . . . . . . . . 36
Skill Points
. . . . . . . . . . . . . . . . . . . . . . . . . 36
Mission 1: Cate Archer Must Die . 38
The Director . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Scene 1: Call It a Hunch . . . . . . . . . . . . . . . . . 39
Scene 2: I Have Bad News . . . . . . . . . . . . . . . 42
Mission 2: Goodbye, Spy. . . . . . . . . 46
Scene 1: The Spy is Here! . . . . . . . . . . . . . . . . 46
Scene 2: The Death of Cate Archer . . . . . . . . 51
Mission 3: Project: Omega . . . . . . . 52
The Spectre of War . . . . . . . . . . . . . . . . . . . . . 52
Scene 1: Welcome to Siberia . . . . . . . . . . . . . . 53
Scene 2: Causing Trouble . . . . . . . . . . . . . . . . 57
Scene 3: The Power Station . . . . . . . . . . . . . . 58
Scene 4: Causing Trouble, Part 2 . . . . . . . . . . 60
Scene 5: The Communications Tower . . . . . . 61
Scene 6: Causing Trouble, Part 3 . . . . . . . . . . 63
Mission 4: A Spy in
H.A.R.M.’s Way . . . . . . . . . . . . . . . . . 64
Scene 1: Outer Yard . . . . . . . . . . . . . . . . . . . . . 64
Scene 2: The Old Records Building . . . . . . . 67
Scene 3: Inner Yard . . . . . . . . . . . . . . . . . . . . . 68
Scene 4: The Old Records Building, Part 2 . 69
Scene 5: Inner Yard, Part 2 . . . . . . . . . . . . . . . 70
Scene 6: The Old Records Building, Part 3 . 72
Scene 7: Inner Yard, Part 3 . . . . . . . . . . . . . . . 72
Scene 8: The Basement . . . . . . . . . . . . . . . . . . 73
Scene 9: Main Records Building . . . . . . . . . . 75
Mission 5: Night Flight . . . . . . . . . . 78
Scene 1: The Basement . . . . . . . . . . . . . . . . . . 78
Scene 2: Inner Yard . . . . . . . . . . . . . . . . . . . . . 79
Scene 3: Outer Yard . . . . . . . . . . . . . . . . . . . . 80
Scene 4: Terrain . . . . . . . . . . . . . . . . . . . . . . . . 82
Scene 5: Surprise, Surprise . . . . . . . . . . . . . . . 83
Mission 6: Diary of a Double Agent . . 85
Grasping at Straws . . . . . . . . . . . . . . . . . . . . . 85
Scene 1: The House where Melvin
Used To Live. . . . . . . . . . . . . . . . . . . . . . . 86
Scene 2: Storm Rolling In . . . . . . . . . . . . . . . . 91
Scene 3: Tornado Trouble . . . . . . . . . . . . . . . . 92
Scene 4: Carried Away . . . . . . . . . . . . . . . . . . 94
Scene 5: After the Storm. . . . . . . . . . . . . . . . . 95
Mission 7: Double Cross . . . . . . . . . 96
Scene 1: Knife in the Back . . . . . . . . . . . . . . . 96
Scene 2: The Password . . . . . . . . . . . . . . . . . . 96
Scene 3: Planting a Bug . . . . . . . . . . . . . . . . . 101
Scene 4: Wanted . . . . . . . . . . . . . . . . . . . . . . . 104
Scene 5: Evil Alliance . . . . . . . . . . . . . . . . . . 106
Mission 8: The Art of Murder. . . 109
Scene 1: The Vault . . . . . . . . . . . . . . . . . . . . . 109
Scene 2: Crossfire . . . . . . . . . . . . . . . . . . . . . . 113
Scene 3: Invisible Walls . . . . . . . . . . . . . . . . . 116
Scene 4: The Getaway . . . . . . . . . . . . . . . . . . 118
Mission 9: Ice Station Evil . . . . . . 120
Characters . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Scene 1: Antarctica . . . . . . . . . . . . . . . . . . . . . 120
Mission 10: The Curse of Kali . . . 126
Scene 1: Proving Ground . . . . . . . . . . . . . . . . 126
Mission 11: The Interlopers. . . . . . 130
Scene 1: UNITY Headquarters . . . . . . . . . . 130
Mission 12: Undersea . . . . . . . . . . . 134
Scene 1: Submarine Bay . . . . . . . . . . . . . . . . . 134
Scene 2: Command Deck. . . . . . . . . . . . . . . . 137
Scene 3: Crew Deck . . . . . . . . . . . . . . . . . . . . 140
Scene 4: Laboratories . . . . . . . . . . . . . . . . . . . 141
Mission 13: Terror in the Deep . . 144
Scene 1: Armstrong in Peril . . . . . . . . . . . . . . 144
Scene 2: The Devil and the Deep Blue Sea. . 145
Scene 3: Expect Flooding . . . . . . . . . . . . . . . . 147
Scene 4: Fire in the Hole . . . . . . . . . . . . . . . . 149
Mission 14: End Game . . . . . . . . . . 152
I Think We Can Presume She's Failed . . . . 152
Scene 1: Man-Handled . . . . . . . . . . . . . . . . . 153
Scene 2: Sweet Revenge . . . . . . . . . . . . . . . . . 157
Scene 3: Isako's Debt . . . . . . . . . . . . . . . . . . . 158
Mission 15: Preemeptive Strike . . 161
Scene 1: The Fate of Khios . . . . . . . . . . . . . . . 161
Cooperative Mission 1: The Rescue . 166
Scene 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166
Scene 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168
Scene 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168
Scene 4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
Scene 5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171
Cooperative Mission 2:
The Super Computer . . . . . . . . . . . 172
Scene 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172
Scene 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
Scene 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174
Scenes 4 and 5 . . . . . . . . . . . . . . . . . . . . . . . . . 175
Cooperative Mission 3: The Setup . 176
Scene 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176
Cooperative Mission 4:
Sweep and Clear. . . . . . . . . . . . . . . . 179
Scene 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179
Cooperative Mission 5:
Mime to Kill . . . . . . . . . . . . . . . . . . . 182
Scene 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182
Appendix . . . . . . . . . . . . . . . . . . . . . . 184
Skill Point Advances . . . . . . . . . . . . . . . . . . . 184
Skill Point Awards . . . . . . . . . . . . . . . . . . . . . 186
PRIMA’S OFFICIAL STRATEGY GUIDE
Introduction
Back ground Information
A year has passed since Cate Archer’s first and most important major
mission for UNITY. Thanks to Cate’s efforts against the criminal organi-
zation H.A.R.M., the world once again has been made safe. The mark of a
successful job is when the world never knew it was in danger in the first
place. H.A.R.M. has been forced underground, giving Cate the respect she
wanted and deserved from her peers. No longer relegated to
surveillance missions, Cate now travels the world for UNITY,
undertaking dangerous and important missions.
But unbeknownst to her, H.A.R.M. has begun to re-
emerge. A complete restructuring of the criminal organi-
zation has made it leaner and more dedicated to
enforcing its nefarious schemes on the world.
Preventing H.A.R.M.’s last major operation didn’t
destroy the organization’s plans, a fact that will soon
come to haunt both Cate and UNITY.
As Cate prepares for a simple mission in
Inotakimura, Japan, events are unfolding that will
take her around the world, once again battling
the evil minions of H.A.R.M. The fate of the
entire world hangs in the balance as Cate
swings into action.
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